The Rise and Fall of Ziggy Stardust and the Spiders from Mars

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David BowieThe Rise And Fall Of Ziggy Stardust And The Spiders From Marson 180g Vinyl LP

2015 Remastered Vinyl LP Version of David Bowie’s Breakthrough:The Rise and Fall of Ziggy Stardust and the Spiders from MarsBroke Musical and Cultural Ground, Created a Legacy

“Wham Bam Thank You Mam!”David Bowie‘sThe Rise and Fall Of Ziggy Stardust and the Spiders from Marserased borders, eliminated stereotypes, broke open cultural possibilities, and spawned a legacy like no other. More than four decades after its release, the record remains one of the most electrifying and brilliant works ever released.Again available on 180g vinyl LP, it is here presented in freshly remastered sound that does justice toBowie,Mick Ronson, and company’s creative genius.

Ziggy Stardustis an album written by an aspirant rock star in the guise of a hugely successful one. This nifty deceit has led to it being dubbed the first post-modern pop record. Its songs obtusely referenced aspects of rock history, whilst at the same time tell a story of a future world of extraterrestrial intervention and space-age androgyny.Ziggy Stardustworks so well because it’s a concept album with the concept’ taken out.

“We certainly didn’t go into it thinking that the entire album would be a concept album,” saysproducerKen Scott. “It was a bunch of songs that worked together. Now yes, there is a story for a few of the tracks that hook them together, but, that’s it, a few of the tracks.” “I think the best thing I did was to leave him so open-ended,”Bowierightly pointed out. “It wasn’t a specific story. There were specific incidences within the story, but it wasn’t as roundly written as a usual narrative is. The only trouble about copying someone who is really well known is that you know all the facts about them, so you can’t actually be that person. But, because Ziggy was kind of an empty vessel, you could put a lot of yourself into being your own version of him.”

“Moonage Daydream” is simply stunning, the end-of-song solo byMick Ronson, which dissolves into spacey, phased high strings, makes it, even more so than “Space Oddity,” the definitive space-rockBowieanthem. “Star,” and, most importantly, “Hang On to Yourself” were precursors of punk rock. “Starman” is such a crafty steal from “Somewhere Over the Rainbow” that it was bound to be huge. The title tracks closing salvo, ‘Ziggy played guitar’ is so famous now that its three words could beBowies tombstone epitaph.

“Suffragette City” became aBowieclassic: its powerhouse of a riff, booming ARP synthesizer, and “Wham Bam Thank You Mam!” are still ludicrously thrilling. “Soul Love” and “Lady Stardust” are beautiful little songs and surely two ofBowies most underrated. But its the astonishing opener and the killer of a closing number that take you intoBowies parallel universe. The scene of anarchy on the streets melded with a simple love story that is “Five Years” is surely one ofBowies greatest moments. Everything from the heartbeat drum figure which opens the song to the hysteria of the ending works perfectly. And “Rock n Roll Suicide” is as impassioned a performance as any on the record.

So much of pop music would have been unthinkable, unimaginable, without this record. In pop, you’re always best remembered for your initial breakthrough.Bowie‘s career trajectory through soul, electronica and avant-garde pop is perhaps, in part, an attempt to free himself from this stereotyping circa 1972.

1. Five Years
2. Soul Love
3. Moonage Daydream
4. Starman
5. It Ain’t Easy
6. Lady Stardust
7. Star
8. Hang On To Yourself
9. Ziggy Stardust
10. Suffragette City
11. Rock ‘n’ Roll Suicide